“All The Beauty And The Bloodshed,” Laura Poitras’s documentary about Nan Goldin, is part portrait of the artist, part exposé.

Thanks to one judge, members of the family that made billions from OxyContin could escape justice for their role in the opioid epidemic. Mike Quinn may be the best hope of holding them to account.

Jerry Saltz’s new book markets an instagram-friendly version of creativity.

The rich fund museums to launder their reputations. Museums exploit identity politics to distract from the shady money funding them. In the art world, it’s all just business as usual.