Larry David crafted a show about mortifying social encounters that somehow left us feeling comforted. 

At the start of its third season, the show’s plucky underdog premise is wearing thin.

Adapted from a bestseller, “Daisy Jones” was premium intellectual property. The show never had to be good, just marketable.

“Andor” is a show about the moral choices adults are forced to make in a world of adult consequences.

Back for a fifth season, “Yellowstone” glorifies a rural rancher’s war against outsiders and developers.

In Amazon’s take on The Lord of the Rings, the hero is a fanatic, ceaselessly seeking out potential threats.

Over six episodes, “The Rehearsal” becomes a show not about helping people but about its creator’s anxieties and compulsions.

A new Jane Austen adaptation dares to ask: What if “Persuasion” took place not just in the early nineteenth century but at wine o’clock?

The main purpose of the new Disney+ show is to act as a bridge between one Star Wars series and the next. For the streaming service, that’s all it needs to be.

The show’s new season with Natasha Lyonne at the helm is more honest, more experimental, and more reflective of its maker.

The hit TV show, in which Volodymyr Zelenskiy played a fictional president, is now streaming on Netflix.

As Logan and Kendall go to war, it’s impossible to tell good intentions from cynicism and hypocrisy.

TNR editor Michael Tomasky talks with the acclaimed filmmaker about his new project, airing Sunday on PBS.

The Apple TV series’ debut season provided simple comfort during dark times in 2020. But the honeymoon is over for the second season.

A Peacock docuseries raises important questions about Jeffrey Epstein’s longtime associate, but the answers remain a maddening mystery.

Where the classic masculine detective is an expert in the art of disguise, his female counterpart is genuinely part of the furniture—especially if she’s of a certain age.

“Rutherford Falls” could have been a great show—except for one small problem.

The documentarian returns with an urgent argument about imperial violence—and what it means for America now.

The pandemic has only accelerated a years-long trend of cultural homogenization—and it is bound to get worse.